Yes, it's true. People who go to SUUSI really do walk on water. When they reach a place where the only clear way is a stream, they just walk up that stream. I went to SUUSI this year, like I have been doing for the past nine years. I went on many nature trips in 1998, and in 1999 I learned how to tell the tale in two workshops; in previous years I empowered my self, learned drawing, and singing, and how to choose the path. I dance every year at SUUSI, at Serendipity and in dancing workshops. I also gave my own workshops every year since 1995.. This year I did a little of everything; appropriate for a sumup year like 2000. Here are some of my highlights; click on the little thumbnails to get a bigger picture.
MOM, THE FLAG, AND ROCK AND ROLL: Our Lives in Music |
I happened onto this unusual workshop after the one I had registered for was cancelled. Led by Jennifer Bosveld, it required us six participants to describe our lives by the musical tunes that we have heard throughout our lives, and then sing small excerpts of these songs, one after another, on Cabaret on the last day. To construct this musical story, she had us describe our lives on a long piece of wide paper ruled into squares. This enabled us to compare our life and its stages with the songs we have heard. One exercise consisted of a free-form writing followed by the writing of a poem; I wrote one named "Where's The Way?" I then wrote my song list and performed it, like the others, late on Friday evening at Cabaret. This workshop made me feel once again how music really drives our lives. |
DANCING AT SUUSI: A New Contra Dance and a Wheel of Conga | |
One of my special pleasures of SUUSI is the dancing. There are many workshops on dancing at SUUSI: line dancing (not offered this year, unfortunately), contra dancing, ceili dancing, waltzing, Latin dancing and jazz dancing. I took the Contra Dancing and was intrigued by its mathematical structure; a major part is simply a sequence of elements from a matrix group, as explained by Ivan Peterson. I found that some elements of the group were not in the dance, and by including these elements, I designed a new contra dance step which I showed to my SUUSIMatics workshop. Late at night, on all nights save one, I danced at Serendipity, where every midnight a special edition of La Bamba is played, by SUUSI tradition. This year, the DJ, with a TV quiz show in mind, turned this into a Wheel of Conga: he spun a bicycle wheel (see picture at right) and wherever it turned up, that conga was played. |
To sum up: I had a really great week at SUUSI 2000 this year, and I am looking forward to next year's SUUSI, with its theme of the Interdependent Web of Life, and which to me will be 2001: A SUUSI Odyssey.
Jim Blowers